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ELECTRA

Sophocles, Aeschylus, Euripides, Hugo von Hofmannstahl

Premiere:

Duration: 

September 12, 2020
105 minutes

CAST

Electra

Leda

Clytemnestra

Aegisthus

Agamemnon

Orestes

Pylad

Small Electra

Erithea

Hermione

Cilissa

Chrysothemis

Ariadni

Iphianassa

Greta Šepliakovaitė

Jūratė Onaitytė

Daiva Rudokaitė

Tomas Erbrėderis

Ričardas Vitkaitis

Povilas Jatkevičius

Deividas Breivė

Ieva Karoblytė /
Rasa Praspaliauskaitė

Kamilė Lebedytė

Jurgita Maskoliūnaitė

Saulė Sakalauskaitė

Ieva Stašelytė

Aistė Zabotkaitė

Roberta Sirgedaitė

CREATIVE TEAM

Director

Set design

Costume design

Choreography

Music

Lighting design

Text edition

Jaša Koceli

Darjan Mihajlović Cerar

Branka Pavlič

Tajda Podobnik

Miha Petric

David Andrej Francky

Daiva Čepauskaitė

ELECTRA

bela_tekstura

The performance Electra created by the Slovenian creative team and the company of actors of the National Kaunas Drama Theatre. When moulding the dramatic texture, the director and dramatist Jaša Koceli employed texts of ancient Greek authors (Sophocles, Euripides, Aeschylus) reflecting the myth of Electra. Director Jaša Koceli created an original interpretation of the myth, focusing it on a waiting-woman.

 

Electra, daughter of Agamemnon, the hero of Trojan War, and Queen Clytemnestra, is mourning her murdered father and waiting for the return of her brother with the intention to avenge for her father's death. Depression, abuse, lack of possibilities, childhood, and broken dreams are confined in her waiting.

 

Electra is not only a character of ancient Greek drama but also a symbol of a modern fighting woman. By employing many powerful archetypes, residing in Greek tragedies, the director creates a universal story of the destiny of a strong and revolutionary woman. Electra's destiny is a historic reality of women. Her fate multiplies in each new generation of women. Electra is an obedient woman, waiting sister, agreeable daughter, woman innocent in front of gods, and a lady without her lover. She is suffering in silence. She is crying. She is getting older. She is waiting. Her waiting is hopeless and filled with unrealised impulses and untapped potential. Her released energy can turn into violence and unpredictable passions; she can become a great avenger.

 

She is power, unifying people to make a difference. It is a story showing what can the process of unbearable waiting do to a person. It is a parallel history of humanity read through the eyes of women. It is a dialogue between us, the living, and the shadows of our ancestors.

 

Opening – 12th, 13th September and 8th October 2020

 

Duration – 1 hour 45 minutes

 

The Main Stage

 

The play is sponsored by The Ministry of Culture of the Republic of Lithuania

THE PROCESS

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